TOP 10 - Best Films 2005

 

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The Constant Gardener

The Constant Gardener

The Constant Gardener (2005) Focus Features, 2 hrs. 10 mins.

Starring:
Ralph Fiennes, Rachel Weisz, Danny Huston, Billy Nighy, Pete Postlethwaite, Gerard McSorley, Donald Sumpter, Hubert Kounde, Archie Panjabi

Directed by:
Fernando Meirelles

 

Brazilian filmmaker Fernando Meirelles (City of God) concocts a lavish landscape of global intrigue set against the majestic Kenyan skies in the astoundingly gripping conspiracy thriller The Constant Gardener. Thoroughly captivating in its grand presentation, Meirelles weaves an absorbing story that cleverly consists of three interesting factors: an edge-of-your-seat thriller, a soothing romance drama and an international political potboiler.

Meirelles, with the assistance of cinematographer Cesar Charlone’s generous camera, lends The Constant Gardener its exquisite allure with Kenya’s keenly breathtaking atmosphere and the English influence that overseas this vivid African haven. The noteworthy performance courtesy of the prolific cast stimulates and holds together this film with a definite punch. Overall, Meirelles handles his intoxicating and beautifully shot narrative with effortless flair.

Based on the moving novel by John le Carre, The Constant Gardener is a passionate tale that raises more questions and spotlights the corruptive elements behind indifferent governmental bureaucracy. British High Command diplomat Justin Quayle (Ralph Fiennes) is stationed in Africa and enjoys his leisurely hobby of tending to his precious garden. Soon, his life will come to a stand still when tragedy strikes concerning his beloved activist wife Tessa (Rachel Weisz). We learn that Tessa perished in northern Kenya. But the question remains: was Tessa’s deadly fate a planned murder and if so who is behind the cover-up? After all, Tessa has been known to make some hasty waves when crusading for the questionable treatment of the vulnerable Kenyan people.

Understandably, Justin sets out to inquire about his late wife’s demise. Thankfully, he has the full support of his reliable friend and diplomatic colleague Sandy Woodrow (Danny Huston). As Justin digs deeply into the background static involving Tessa’s death, he learns about how involved she was in the struggle to reveal the truth behind the manipulation of the impoverished Kenyan population. From visiting squalor-induced villages with a black doctor (Hubert Kounde) to freely speaking out about the injustices done, Tessa was instrumental in bringing to the surface all the cheap-minded tactics being calculated by the shifty government. Of course the biggest revelation was Tessa’s persistence in sniffing out the sordid truth involving beneficial drug companies testing their products on the slum area people as if they were ready-made Third World guinea pigs.

Interestingly, Justin is shocked yet amazed by Tessa’s commitment to expose the governmental wrong-doing. Despite her insubordinate activities that could jeopardize his aristocratic positioning, Justin is overwhelmingly proud of Tessa and realizes that he never really knew what kind of determined woman he married in the first place. His “discovery” of Tessa’s unbridled passion for highlighting the inequities of these disadvantaged folks is refreshingly reinforced and he literally falls for her even more emotionally now that she has gone. However, it’s getting hot in the kitchen and Justin is soon warned to back off a bit if he knows what’s good for him in the long run. Justin’s loyal buddy Sandy and fellow diplomat (Bill Nighy) is quite concerned about his self-imposed investigation. Also, a disgruntled company owner (Gerard McSorley) and resident spy (Donald Sumpter) hope to silence Justin by convincing him to bury the memories of his late wife’s trouble-making tendencies.

As a visionary moviemaker, Meirelles has helmed a provocative film enriched in political amorality, eloquence and intelligence. As with his impressive film debut in the aforementioned City of God, Meirelles knows how to manipulate the feelings concerning oppressive poverty and the corporate cruelty that underlines the unfairness of the overall circumstances. The Constant Gardener is stark and bleak in its message yet there’s something poetic and lyrical about the war on the innocent while the mighty has no boundaries in terms of its relentless grasp. Certainly there’s some nobility about Meirelles’ romanticism about a masterfully scenic continent being raped by the selfish ideology of opportunistic outsiders.

Although there is an unblinking complexity about the socio-political climate that smothers this fetching African campus, the amazing result is that Gardener radiates as a simplistic love story in which its participants pay a dearly price. Fiennes gives a restrained performance that could have been unwisely animated and preachy. Instead, the actor astutely wears his heart on his sleeve and lets the bittersweet aftermath dictate his inner turmoil. Weisz has never been more solid as the motivating mouthpiece that insists on curtailing the chaos that seems never-ending to the poor people.

Bottom line: The Constant Gardener is an exceptional film that juggles so many sentiments as a harsh commentary on the way we submerge the pride and prosperity of a cultural people as well as the need to embrace our own insecurities and ignorance.

 

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